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The longer Orange Is the New Black ran, the more it was criticized by many critics of color for how it repurposed very real tragedies and traumas faced by communities of color for stories both written by and targeted to white liberals.Ĭelebrating the bold ambition of Orange Is the New Black, already a relic of TV’s pastįew doubted the show had good intentions in its hopes of telling stories about broader, more diverse experiences, but some argued that its good intentions nevertheless resulted in exploitative television that turned marginalized people’s struggles into just another storytelling point.
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(And it’s worth noting here that Piper herself is bisexual, and her great love affair in the show was with another woman.)īut most of the critics (including me) praising the show for its diversity were also white.
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Its cast was filled with actors of color, it depicted many facets of the LGBTQ spectrum, and it featured actors of all body types without reducing any of them to punchlines.Ĭreator Jenji Kohan described Piper Chapman, the white woman who began the show as Orange Is the New Black’s main character, as her “Trojan horse” - a way to get a show on the air (because “white lady goes to prison” was an arc that was easier to sell to mostly white TV executives), so Kohan and her writers could immediately start telling stories that weren’t about white, straight, cis people. When Orange Is the New Black debuted in 2013, it was celebrated for its diversity.